Byzantine up to the Early Reniassance Essay Example | Topics and Well Written Essays - 750 words

Byzantine up to the Early Reniassance - Essay Example Their paintings thus entailed naturalism and reality (Lahti 10). These artists comprised Donatella, Masaccio, Giotto, Brunelleschi, among others. Their art sought to refute global gothic style diffusing during that era. Scientific relations also comprised a feature of their paintings. Their art exemplified lots of skill and prowess. The art entailed lots of influence emanating from Roman Catholic. Another feature eminent throughout the images would be use of extra light and color in paintings. This exemplifies that the paintings depicted a higher quality compared to those produced in premature renaissance. Artist enjoyed lots of funding from wealthy families and religious persons. The sponsors chipped in coupled with the target of developing the sculptures and painters while portraying their skill. Multiple Choice Questions 1) Donatella encompassed a Florentine A) Painter b) Drawer c) Singer d) Ruler 2) Renaissance expounds a practice enveloping A) Eastern Rome B) Central Rome C) Wes tern Rome d) Europe 3) Early Renaissance entailed artists that refuted art that was a) Gothic b) Natural C) realistic d) Revolutionized 4) Artists during early renaissance included a) Brunelleschi b) Leonardo da Vinci c) Michelangelo D) Raphael First Image (1427) Figure 1: The Holy Trinity, Florence. Retrieved from http://www.italian-renaissance-art.com/Masaccio.html The painting above encompasses an esteemed masterpiece during 1427. This entails one of Massacio’s works. This entails a Holly Trinity painting for Novella church that encompasses its situation in Florence. Unlike prior painting, this painting entails depictions of revolutionized art. One indispensable feature would be improved use of light. The painting differs from earlier ones with reference from the ideology that the latter just showed lines. The lines showed demarcations that unveiled different partitions of a drawing. More so, the image encompasses relations to Roman Catholic convictions (Lahti 15). This dr aws explanations from the ideology that Roman Catholic entailed a distinct religious culture. Another similarity to images and arts of this era entails their refutation to Gothic styles. This expounds that Massacio refuted the diffusing ideologies of Goth existing during that duration. Therefore, he sought making art that depicted reality and naturalism. In addition, the painting depicts human bodies in a rational manner. This draws basing from the ideology that earlier paintings comprised of images that entailed no clarity. The imager also entails depictions of societal beliefs. This exemplifies that this art correlates to Eastern Rome’s catholic beliefs. Second image (1415-1416) Figure 2: â€Å"St. George† Retrieved from http://www.italian-renaissance-art.com/Donatello.html The image above depicts a sculptor that owes its making to a renowned Florentine. Donatella encompassed a sculptor that made history in Rome. His art entails illuminations of sculptures that depic ted lots of humanism. The sculpture above represents Saint George. Unlike the belief by Catholics that saints ought to depict solemnity, Donatella refuted those arguments by making Saint George appear serious and prepared to combat the enemy. Similarities between Masaccio and Donatella’s images The images depict lots of realism (Lahti 20). This gains explanations from the ideology that they entail real features comprising a being’